Reviews

LIMELIGHT OCTOBER 2026

Verdi in the City | The Opera Room

Excerpts from Don Carlo and Il Trovatore in concert

Louise Keast | Elisabetta di Valois & Leonora

Diego Torre | Don Carlo & Manrico

Angela Hogan | Eboli & Azucena

Michael Honeyman | Rodrigo & Conte di Luna

Richard Anderson | Filippo II

Anthony Mackey | Il Frate & Ferrando

Bradley Gilchrist | Piano

Logan Birchall | Chorus Conductor

Phoebe-Celeste Humpreys | Master of Ceremonies

Choir: Emmeline Booth, Hannah Burton, Hannah Greenshields, Amanda Kelly, Chase Kern, Galatea Kneath, Elena Marcello, Camille Mercep, Lisa Munckton, Madeleine O’Dea, Juliet Page, Anastasia Star Gall, Anna Stephens, Le Gia Linh Tran

“Keast shows off another of the gossamer decrescendos she lavishes us with over the course of the evening.”
— Jansson J. Antmann, Limelight

SOUNDS LIKE SYDNEY OCTOBER 2026

Verdi in the City | The Opera Room

Excerpts from Don Carlo and Il Trovatore in concert

Louise Keast | Elisabetta di Valois & Leonora

Diego Torre | Don Carlo & Manrico

Angela Hogan | Eboli & Azucena

Michael Honeyman | Rodrigo & Conte di Luna

Richard Anderson | Filippo II

Anthony Mackey | Il Frate & Ferrando

Bradley Gilchrist | Piano

Logan Birchall | Chorus Conductor

Phoebe-Celeste Humpreys | Master of Ceremonies

Choir: Emmeline Booth, Hannah Burton, Hannah Greenshields, Amanda Kelly, Chase Kern, Galatea Kneath, Elena Marcello, Camille Mercep, Lisa Munckton, Madeleine O’Dea, Juliet Page, Anastasia Star Gall, Anna Stephens, Le Gia Linh Tran

“[Keast] promises to be a Verdi soprano to be reckoned with in future. Her pianissimo in upper notes was particularly lovely.”
— Victoria Watson, Sounds Like Sydney

CANBERRA CITY NEWS MARCH 2023

From Broken Hill to Bel Canto | National Opera

Operatic recital with Donna Balson, Piano

“Drama aplenty as Keast’s vocal power rattles the walls”
— Helen Musa, Canberra City News

AUSTRALIAN ARTS REVIEW 2021

Così fan tutte | IOpera

“As the more protective and cautious sibling, Keast’s succulent, foundation-firm soprano stood up to the task of delivering Fordiligi’s two big arias superbly, Act 2’s Per pietà, ben mio, perdona an especially captivating display as Fiordiligi attempts to banish desire for another man.”
— Paul Selar, Australian Arts Review

Louise Keast | Fiordiligi

Naomi Flatman | Dorabella

Jane Magão | Despina

Ferrando | Zachary McCulloch

Guglielmo | Darcy Carroll

Don Alfonso | Peter Tregear

Dr David Kram | Conductor

Jane Magão | Director